I have been at
Mary Gillett's collagraph workshop over the weekend. I was so busy over the 2 days that I completely forgot to take any photographs of progress - very remiss of me! So I've had a day in my own studio making some more tester plates and pressing the prints that I did on the workshop and taking a few photos of the process.
Although I made lots of collagraphs during my MA I always used plant material and polyfilla so I've been keen to try other methods of making the plates. I used carborundum and tile cement on these small experimental plates - I found it quite difficult to get the effect I wanted. There are so many different ways to use carborundum so I made the plate below last night as a guide for future plates. The next stage will be to use the new methods along with the plant material.
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Carborundum tester plate |
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Mountboard base with first stage of tile cement |
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Plywood base with tile cement and second stage of carborundum |
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Various small experimental plates |
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Print using 6-8 layers of PVA over solid carborundum |
I also made an aluminum plate covered with parcel tape, drafting tape and sellotape and then burnt with a blowtorch - this is great fun and totally beyond any control as the plastic under heat just does it's own thing. I printed it in black and then adding 2 colours and using the viscosity relief printing method
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Print from aluminum plate |
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Adding relief colour |
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Printed in black intaglio and 2 colour viscosity relief |
Now I need to do some more printing which I can't do at home as I don't have a press unfortunately.
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